The circus company Un Loup pour l’Homme explores partner acrobatics as a language to depict a vision of humanity made up of social individuals, as different as they are dependant from each other.
We consider hand-to-hand balancing as the physical confrontation of two bodies or more, in order to reveal the richness and complexity of human relations.
Cuir is a short form duet exploring the form of traction and attraction (2020)
Dans l’espace, show for 4 acrobats and 2 live musicians, premiere planned in 2022
Grand-mother project (or "I will always have dreams, mum") is questioning the gesture of carrying and what it means with elderly people.
Show in circular (2017) in which six acrobats try to keep a permanent, right off-balance state, by exploring possibilities of evolution of their movements.
Workshops, cultural actions, specific projects... we intend to connect those meeting occasions with the artistic research of the company.
After almost 250 shows, in 2018, Face Nord is passed on to a team of four female acrobats.
Ride & Camp is a travelling project (2019) which has consisted of creating forums for dialogue and artistic initiatives with partners from Central and South-Eastern Europe.
In Face Nord (2011), four men explore a script written from physical rules and games, taking the audience along with them in an experience that establishes the origins of acrobatics in the innocence of childhood games.
Appris par corps, (2007 - Award 'Jeunes Talents Cirque Europe') is questioning the relationship between two people, ambiguously navigating from tenderness to violence.
Light from the suitcase
Une création de Cirkobalkana (Cirkusfera & Cirkorama)
Avec la complicité et les regards de la cie Un loup pour l’homme
Projet de cirque contemporain dans la région des Balkans / soutenu par Teatroskop et l’Institut Français
Festival BONUS
Théâtre de Poche / Hédé-Bazouges
Light from the suitcase
Une création de Cirkobalkana (Cirkusfera & Cirkorama)
Avec la complicité et les regards de la cie Un loup pour l’homme
Projet de cirque contemporain dans la région des Balkans / soutenu par Teatroskop et l’Institut Français